The Situationists International (SI) (1957-1972) formed in revolt against the commodification of art and the apathy and malaise that had arisen within the urban centres in the European alliance. Blending Surrealism, Marxism and a strategy of revolution, the SI were a group of writers, poets and artists who championed individual and collective liberation from mass media and consumerism by constructing ‘moments of life’.
These moments of life were constructed using actions, objects, writing and ideas that were already in existence but were re-configured as affirmations. Although the group considered themselves to not be a political group, the outcomes of their work most often had a political grounding (such as the anti-institutional, subversive graffiti) and could constitute any action of any scale – from a single moment to an epic gesture.
The SI are commonly linked to the French student revolt of 1968 that saw mass protests, strikes and conflict erupt across France in an effort to revolutionise the cultural and social fabric of the nation. From sex, to religion, gender parity, gay rights, intellectual freedom and everything in between, the players in this month of revolution adopted many of the SI working methods – embedding the SI ideology of the connection between art and society into the global cultural domain. A legacy that continues today.