My work examines how infrastructural, technical and industrial systems position subjects by shaping the conditions through which they perceive and engage with the world. Using photographic, video, audio and technical processes, I place these systems under conditions of translation, interruption and instability, bringing their structuring effects into view.

My approach is grounded in sculpture and spatial practice and informed by materialist philosophy, particularly Louis Althusser’s account of contingency and Michel Serres’ account of turbulence and patterned order, as well as a broad range of philosophical and conceptual arguments.

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Gregorčič is a PhD candidate in Fine Art at the Australian National University and holds a Master of Arts in Cultural Materials Conservation from the University of Melbourne and a Bachelor of Fine Art in Sculpture and Spatial Practice from the Victorian College of the Arts. His background spans cultural materials conservation, collections, repatriation and curatorial practice.

Gregorčič’s work has been presented in solo exhibitions in Australia and Slovenia, and he has undertaken residencies in Australia, Slovenia and Italy. In 2023, he was an American Slovenian Education Foundation Junior Fellow.

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